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interview

The Aesthetic of a Closed Book: An Album for Two

Daria Tsipileva is an entrepreneur, influencer, author of the Telegram channel "You Know What I Mean", a person who makes quiet, precise choices and possesses refined taste.
We discussed physical memory, household relics, and why sometimes one wishes for the most important moments to remain behind a closed cover.

“I don't have a single framed photograph in my home. I'm more drawn to the aesthetic of a closed book.”

Printed photographs and albums aren't for everyone:
I think printed photographs and albums aren't for everyone: some create photo books as memories, others don't think about it at all. In my circle, despite the revival of this tradition, there are still not many who make printed albums. 
Despite my work being largely connected to digital products, I very clearly understand that I am no less an offline person. Tactility, smells, atmosphere are important to me. I love filling my home with details and adore the aesthetic of spaces. 
Not long ago, I assembled my first Hronika album. It was physically and emotionally engaging. I should also add that the process is quite laborious: you sit for hours, first selecting frames, then composing, arranging them in the album, gluing them in, and adding captions. 
“It feels right to create and preserve physical memories alongside digital ones.”
Photos from Daria's personal archive
An album is like a book you open at the right moment:
So far, I only have one album – I made it as a gift for a loved one. It contains all the best moments of the two of us over one year. I not only glued photos into it, but also letters, quotes, stickers, and messages. It turned out like a book. Very personal, very real.
I love looking through it periodically. It helps me feel grounded. It brings joy. In difficult moments, it brings clarity.

I have a huge amount of content – on film, on my phone, in archives. Hundreds of thousands of photos. A lot of duplicates. All of it needs to be sorted, selected, and reviewed. 
An album is different. It becomes a book you can turn to at any moment. When you're sad. When you crave silence. When things are good. Just to flip through, to touch, to open. Without a screen, without push notifications, without Telegram, without a backlight. You brew some tea or pour a glass of wine – and simply turn the pages. A sense of comfort and warmth settles within.
“...it’s wonderful to create thematic albums. And to know that you can return to them at any moment. In moments of joy. In moments of sadness. Simply to look, to touch, to step away from the screen and remind yourself of something important.”
My parents' home is filled with photo albums. At least, because everything used to be shot on film and printed. Blurred frames, single copies. All vibrant and deeply heartfelt. Holidays, bonfires, the dacha, school, the first of September. These albums tell the story of a family, of growing up, of time, of moments. 
In the past, such albums were compiled not only for oneself but also to show friends and family: here I am by the sea, here with a turtle, here with a guitar by the bonfire. Now, social media and the iPhone camera roll serve this purpose. 
I think if I had many different thematic albums already compiled, I could easily flip through them over dinner with friends to show how our trip to Seoul, Italy, or somewhere else went. 
Photos from Daria's personal archive
I prefer the aesthetic of a closed book:
“…I don’t want to show my album to anyone. It’s dedicated only to the two of us. It’s like peeking into someone else’s correspondence. Very personal.”
I don’t want to show my first and, so far, only album to anyone. It’s dedicated only to the two of us. It’s like peeking into someone else’s correspondence. Very personal.
I'm drawn to the aesthetic of a closed book, and a certain intimacy. Not because there's anything forbidden within, but because my first album, specifically, turned out to be just about the two of us. We'll see what other albums come after. It's a wonderful tradition; if only I could find the time to follow it consistently.

At my parents' house, photos are everywhere: not just in albums, but in the bedroom, in the living room. The photos show our whole family together, or just my sister and me as little ones from our first seaside holiday. At my place, however, there isn't a single one. Not in a frame, not on the wall. That aesthetic isn't really for me. At least, not yet.
Photos from Daria's personal archive
These are my family heirlooms:
For me, preserving history is also about objects. Especially tableware. I truly love everything connected with secondary consumption, reinterpretation, and a fresh perspective on an old item.
About five years ago, I truly felt this. I started visiting my grandmother's dacha and taking home tableware and interior items that had been stored there for decades. From the 70s, 80s, 90s.
And now they are in my home: a dish given to my grandfather in the 70s; a silver-tipped pepper shaker that sat in my grandmother's cabinet for thirty years; mugs from the Leningrad Porcelain Factory. It turns out these are my family heirlooms. I cherish them deeply.
Photos from Daria's personal archive: a flea market and a fragment from an album
It's important to me that a space makes you want to be there. To live. To dissolve into it:
I am absolutely the kind of person who believes that a home is an atmosphere. I create it wherever I am. Even if it's a hotel for one night, I'll have candles, aromatic paper, and small items in my bag that make the space feel like mine.
At home, candles are placed in every room, and I light them almost every evening. I have a small library in the living room, I collect art objects, and I adore artisans. All these items have been gathered into my collection over years and live with me. I also love fresh flowers in vases throughout the house. And in the kitchen, I love spices in beautiful jars, because cooking for me is a ritual I cherish.
Photos from Daria's personal archive

COLLECT MOMENTS

more stories in Hronika journal